I begin to suspect the novelist,
With his wide, broad brow and clenching fist,
For he pulls no punches, word-fully,
And he lives his life absurd-fully.
We are all his manna, all his meat,
As he casts his eyes about, discreet,
And observes our ways and records our manner,
Noting every gulp and stammer.
He wakes like a bird, for he loves routine,
A walk, a shave, a cup, a screen,
And his fingers fumble at first, then fly,
As the images go whizzing by.
At a thousand words, he stops and sighs.
Does their order, choice, epitomize
A vision, rarefied and new?
Self-satisfied, he craves a brew.
So he goes for a beer and hones his craft,
And mixes with peers and mere riffraff,
And he nurses, alone, his salt and hops,
Like an addict shoots, or a shopper shops,
For the air just hums in this dank, dark lair–
A word, a phrase, a name, an air–
And he jots it all down with a tiny smile,
One that no one sees. For he has compiled,
Most unnervingly, all the hopes and dreams,
We’d allowed to fester, sight unseen,
And appointed himself our publicist.
I begin to suspect the novelist.
For other poems about writing, read The Passive Void and The Weight of Words.



But Once
People should know better than to confess anything to a fiction writer or poet.